With the firmware update 1.07, there were already improvements, but the X-Touch One for Cubase is currently not fully recommendable. This makes the area of application correspondingly large but leads to some inconsistencies in combination with Cubase.Ĭubase users can only hope that Behringer/Steinberg will find a way to integrate the controller even better. Since the controller works on a Mackie/HUI basis, it is compatible with all common DAWs. You don't need to worry about the intended use in the studio. The housing consists of an aluminum/plastic mix. With the X-Touch One, Behringer is expanding its range of DAW controllers to include a compact model with just one (motor) fader. It' works best with the in-house DAW Studio One if you want a truly plug-and-play experience. However, depending on the DAW, you have to make some compromises here and there. Working with the Presonus Faderport 8 is a lot of fun, intuitive and purposeful. Also, the touch sensitivity can be adapted to your own needs. For example, the speed of the faders can be set on a scale from 1-7. Presonus receives extra praise for the ability to adjust the FaderPort 8. It doesn't work in Ableton and Sonar either, but it does in Logic and Studio One. Pressing the All button only opens the Channel Settings window. The fact that the “Mix Management” functions, with the help of which you can adjust the mixer view of all channels on virtual instruments, buses, or VCAs, does not work under Cubase is extremely unfortunate. Compared to the competition, the motorized faders are very quiet. The optics and the clarity of the controls, thanks to the backlit soft buttons, are also very good. With it, you can physically control a large number of parameters in the DAW. The Presonus Faderport 8 is a very good DAW controller. If you need options for a specific DAW, refer to our top picks for: With this in mind, let's take a closer look at the best control surfaces you can buy right now. As long as it helps you “control” the DAW, we consider it to be a “control surface”. It includes everything from MIDI controllers and mixers to dedicated DAW controllers. Keep in mind that the definition of a “control surface” itself is hazy. Fine changes and automations, always hard to do with the mouse, feel tighter and more intuitive when you do it with a control surface. Most importantly, a control surface brings back, well, control to your production. Panning feels more natural when you have a rotary knob to do it. It adds a layer of intuitiveness to your production that a keyboard or mouse or even a MIDI controller can't offer. The difference between i5 and i7 is not quite as critical, as it’s the speed and the number of cores that count more towards performance capabilities.And at that point, you should invest in a control surface.Ī control surface essentially brings your DAW out of your computer screen and onto your desk. If you’re buying an older Mac, you should get at least a 4-core processor that’s 2.0GHz or faster. The M1 Ultra, which is the latest M1 design, is especially suited for professionals who handle large files and large amounts of footage in a fast-paced environment where they need to be able to work quickly. They’re designed specifically for audio and video processing, making them ideal for creative Mac users. The M1 Apple silicon chip is known as a “system on a chip” or SOC, similar to the chips in iPhones and iPads. Most of the new Mac models include the M1 chip, which is powerful enough to run Logic Pro X with no playback or latency issues during recording (such as tracks skipping, freezing, or distorting). More RAM simply allows your computer to complete more tasks at once, which is particularly useful if you’re running a lot of plugins and virtual instruments at the same time. If you’re using Logic Pro X to edit audio for film and television or if you know you’ll be using a lot of plug-ins at once, you might want 16GB of RAM or more. While there is no set requirement for the amount of RAM you need, it’s recommended to have at least 8GB, with 4GB being the absolute minimum. Just remember that once you’ve chosen these specifications when configuring your new Mac, they can’t be upgraded later. It’s generally best practice to get more storage and RAM than you think you’ll need, but we understand this is not always financially viable. Within this range of storage space, there is no right or wrong it just comes down to personal preference and whatever works best for you. You should also consider the size of your Logic Pro X sessions and how often you transfer completed sessions to external drives or to the cloud. You can put the Sound Library on an external drive, but depending on the speed of the external drive, you might find that it slows down your workflow. Logic Pro X requires at least 6GB of extra disk space for the minimum installation, which does not include the 72GB Sound Library.
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